Using a double-exposure technique, the artist explores the impact of a rigid world on the female body and spirit over time. The use of a single strong color for walls, chair, nails, and lips comments on the here and now. Yet the past is omnipresent. The outline of a hidden door to the left of the yellow vertical beam bleeds through, and on the subject's face, the smile of former times lingers on paler lips.
From-The Museum of Bad Art: Art Too Bad to be Ignored, by Tom Stankowicz and Marie Jackson, A MOBA Publication
